hamburger-nav-icon
region-flag-icon
Search by Category
Audio
Cameras
Cases & Bags
Computers & Software
Conferencing
Content Management
Control
Displays
Furniture
Home Technology/Automation
Lighting & Studio
Mounts & Rigging
Networking & Cabling
Power
Presentation
Production
Security & Safety
Signal Management
Search by Category
Flag
EnglishFrenchGermanItalianPortugueseSpanish
electro-voice
Request
More Information
Project List
Electro-Voice presents RE320 dynamic Variable-D wired microphone at InfoComm 2011, booth 1201
Posted on Wednesday, June 15, 2011
Electro-Voice presents RE320 dynamic Variable-D wired microphone at InfoComm 2011, booth 1201
  • Supremely versatile vocal and instrument microphone derived from classic design of Electro-Voice RE20 
  • An array of premium features – Variable-D™, humbucking coil, dual personality switch, high-output neodymium magnet structure
Orlando, FL, June 15, 2011: New from Electro-Voice, the RE320 – the latest addition to the RE Performance Group of wired microphones – culls key features of the venerable RE20 and RE27N/D Broadcast Group products into an exceptionally versatile studio and live performance mic. Engineered for stellar performance in virtually any imaginable application, the RE320 delivers excellent results when mic’ing vocals or instruments in the studio or on stage.
 
Designed to meet the demanding needs of project and pro studio operators, live and studio performers and engineers, as well as podcasters and broadcasters at any level, the RE320 brings heritage Electro-Voice technology and performance to bear in an exciting and versatile new product.
 
The RE320’s key features include Electro-Voice’s remarkable Variable-D™ proximity control technology for tight, bold, expressive, and consistent tonal performance; a humbucking coil for noiseless operation; and a high-output neodymium magnet structure capsule that delivers fast and accurate transient response and pronounced high-frequency detail. 
 
Rounding out the feature set is the new “dual personality” switch which essentially creates two mics in one. One setting of the switch engages a response curve that is ideal for voice and most instrument micing, while the other switch position activates a response curve that broadens its usefulness on other instruments.